| Summer 2007 |
The New Socialist Magazine |
| A Constructed World |
Chapter 3 : Verification |
| Inaki Abalos |
Beauty in the XXI Century |
| Hans Abbing |
The autonomous artist still rules the world of culture |
| Theodor Adorno |
Resignation |
| | Culture Industry Reconsidered |
| Janet Afary |
The Seductions of Islamism: Revisiting Foucault and the Iranian Revolution |
| Giorgio Agamben |
We Refugees |
| | State of Exception |
| | Homo Sacer |
| John Agnew |
Spatiality and Territoriality in Contemporary Social Science |
| Stan Allen |
Practice vs. Project |
| | Object to Field |
| | Le Corbusier and Modernist Movement: The Carpenter Center For Visual Arts, Cambridge, MA [1993] |
| | Mapping the Unmappable: On Notation [1989/1997] |
| Anne Allison |
Portable monsters and commodity cuteness: Pokémon as Japan's new global power |
| Casey Alt |
Viral Load: The Fantastic Rhetorical Power of the Computer Virus in the Post-9/11 Political Technoscape |
| | Imagining Black Superpower! Marvel Comics's Black Panther |
| | The Materialities of Maya: Making Sense of Object-Orientation |
| Tim Lenoir and Casey Alt |
Flow, Process, Fold: Intersections in Bioinformatics and Contemporary Architecture (ugly version) |
| Antonio Negri and Michael Hardt |
Multitude (excerpt) |
| | Preface: Life in Common (Multitude) |
| | Empire |
| Craig Anderson |
Effects of Violent Video Games on Aggressive Behavior, Aggressive Cognition, Aggressive Affect, Physiological Arousal, and Prosocial Behavior |
| Arjun Appadurai |
Disjuncture and Difference in the Global Cultural Economy |
| Hannah Arendt |
The Human Condition |
| John Arquilla |
Cyberwar Is Coming! |
| Roy Ascott |
Art and Telematics: towards a network consciousness |
| Jacques Attali |
Interview |
| Aufheben |
The Language of Retreat |
| Alain Badiou |
The Scene of the Two |
| | What is Love? |
| Matt Bai |
Wiring the Vast Left Wing Conspiracy |
| | Who Lost Ohio? |
| | Clintonism |
| George Baird |
"Criticality" and its Discontents |
| Carol Baker |
The Subversive Imagination |
| Paul Baker |
What is Polari? (excerpt) |
| Anne Balsamo |
On the Cutting Edge: Cosmetic Surgery and the Technological Production of the Gendered Body |
| | Introduction |
| | The Virtual Body in Cyberspace |
| Reyner Banham |
LA: The Structure Behind the Scene |
| | The Environmentalist |
| | Klarheit, Ehrlichkeit, Einfachkeit . . . And Wit Too! |
| Roland Barthes |
The Death of the Author |
| | Myth Today |
| Georges Bataille |
Eroticism: Death & Sexuality (excerpt - Mysticism & Sensuality) |
| | Eroticism: Death & Sexuality (excerpt - Mysticism & Sensuality) |
| Charles Baudelaire |
The Painter of Modern Life |
| Jean Baudrillard |
Disneyworld Company |
| | Global Debt and Parallel Universe |
| | Illusion of the End or Strike of Events |
| | Simulacra and Simulation |
| | In the Shadow of the Millennium, or the Suspense of the Year 2000 |
| Michael Bauwens |
Designing Society: Peer 2 Peer |
| Hans Belting |
Image, Medium, Body: A New Approach of Iconology |
| Walter Benjamin |
The Storyteller |
| | The Work of Art in the Age of Mechanical Reproduction |
| | Little History of Photography |
| | The Artist as Producer |
| | Theses on The Philosophy of History (or On the Concept of History) |
| Edward Bernays |
Molding Public Opinion |
| | Engineering of Consent |
| Claire Bishop |
Heightened Perception |
| | Antagonism and Relational Aesthetics |
| Maurice Blanchot |
Death Sentence |
| Zach Blas |
Queer Tech Syllabus |
| Yve-Alain Bois |
A Picturesque Stroll Around Clara-Clara |
| Mikkel Bolt |
Counter-revolutionary Times |
| | The upper hand - The eviction at the Youth House in Copenhagen |
| | 'What is to be done?' – Approaching the task through Debord and Negri |
| Pierre Bourdieu |
The Essence of Neoliberalism |
| foster |
Antinomies in Art History |
| | "Design and Crime" |
| Bourriaud |
Postproduction |
| | Relational Form |
| | Interview 2001 |
| Nicolas Bourriaud |
Postproduction |
| | Relational Form |
| | Interview 2001 |
| Stan Brakhage |
Sex/Death, Eisenstein, Etcetera |
| Gareth Branwyn |
The Desire to Be Wired |
| Rodney Brooks |
Building Brains for Bodies |
| | Intelligence without representation |
| Richard Harvey Brown |
A Semiotics of Selfhood: Personal Identity in Postmodern Society |
| | Studying Culture in the Global Political Economy |
| | From Theatre of War to War As Theatre: Some Postmodern Aspects of War |
| | Global Capitalism, National Sovereignty, and the Decline of Democratic Space |
| | Political Structure, Status Mobility, and Economic Growth in Imperial and Modern China |
| | Alternative Modernities: A Cultural Genealogy of Japan's Modernization |
| Kenneth Bruffee |
Collaborative Learning and the "Conversation of Mankind" |
| Jo Bryce |
Spectacle of the Deathmatch: Character and Narrative in First-Person Shooters |
| Peter Bull |
The Mistiming of Applause in Political Speeches |
| Victor Burgin |
Situational Aesthetics |
| Jack Burnham |
The Future of Responsive Systems in Art |
| | The Aesthetics of Intelligent Systems |
| | Systems Esthetics |
| Jim Burns |
Arthropods |
| Vannevar Bush |
As We May Think |
| Judith Butler |
Interview: Gender as Performance |
| | Explanation and Exoneration, or What We Can Hear |
| | Bodies That Matter: On the Discursive Limits of Sex (excerpt) |
| | Bodies That Matter: Introduction |
| | Gender Is Burning: Questions of Appropriations and Subversion |
| Rex Butler (and Scott Stephens) |
Play Fuckin' Loud: Zizek Versus the Left |
| Andy Cameron |
Californian Ideology |
| Elias Canetti |
Crowds and Transformation in Delirium Tremens |
| Taylor Carman |
Merleau-Ponty (CC) |
| | The Body in Husserl and Merleau-Ponty |
| Benjamin D. Carson |
Towards a Postmodern Political Art: Deleuze, Guattari, and the Anti-Culture Book |
| Manuel Castells |
Toward a Sociology of the Network Society |
| | The New Economy: Informationalism, Globalization, Networking |
| | The Space of Flows |
| Chris Chesher |
Colonizing Virtual Reality: Construction of the Discourse of Virtual Reality, 1984-1992 |
| Stuart Cheshire |
Latency and the Quest for Interactivity |
| Noam Chomsky |
Human Nature: Justice versus Power |
| Wendy Hui Kyong Chun |
On Software, or the Persistence of Visual Knowledge |
| | On Software, or the Persistence of Visual Knowledge |
| Richard Clarida |
The Science of Monetary Policy: A New Keynsian Perspective |
| Andy Clark |
Cyborgs Unplugged |
| Lynne and Michael Govan Cooke |
Interview with Richard Serra |
| Joseph Corn |
The Home of Tomorrow |
| James Crabtree |
The Cult of Manuel Castells |
| Jonathan Crary |
Techniques of the Observer |
| | Eclipse of the Spectacle |
| | Spectacle, Attention, Counter-Memory |
| Chris Crawford |
What is a Game? |
| Douglas Crimp |
On the Museum's Ruins |
| Critical Art Ensemble |
Utopian Promises - Net Realities |
| | Nonrational Strategies |
| | The Technology of Uselessness |
| | Electronic Civil Disobedience |
| | Resisting the Bunker |
| | Slacker Luddites |
| | Observations on Collective Cultural Action |
| | Marching Plague: Germ Warfare and Global Public Health |
| Arthur Danto |
The Artworld |
| | A Future for Aesthetics |
| | From Aesthetics to Art Criticism and Back |
| Douglas Davies |
Prophecy: The Art of the Future |
| Manuel De Landa |
Policing the Spectrum |
| Teresa De Lauretis |
The Technology of Gender |
| Marquis de Sade |
Philosophy in the Bedroom |
| Mitchell Dean Dean |
Four Theses on the Powers of Life and Death |
| Tim Dean |
Art as a Symptom |
| Guy Debord |
Comments on Society of the Spectacle |
| | Society of the Spectacle |
| Félix Guattari and Gilles Deleuze |
November 28, 1947: How Do You Make Yourself a Body without Organs? |
| Gilles Deleuze |
Postscript on the Socieities of Control |
| | Postscript On Control Societies |
| | Control and Becoming |
| | Plato and the Simulacrum |
| | A New Cartographer (Discipline and Punish) |
| Gilles Deleuze and Felix Guattari |
"Introduction: Rhizome" |
| | 1440: The Smooth and the Striated |
| Jacques Derrida |
The Future of the Profession or the Unconditional University |
| | Sendoffs (for the Collège International de Philosophie) |
| Mario Diani |
Simmel to Rokkan and Beyond: Towards a Network Theory of (New) Social Movements |
| Bülen Diken (& Carsten Laustsen) |
Enjoy your fight! - “Fight Club” as a symptom of the Network Society |
| Stephan Dillemuth |
The Academy and the Corporate Public |
| Sean Dockray and Hugo Hopping |
Social Studies: A Conversation about Art and Social Engagement |
| Sean Dockray |
Kingdom of the Dolls |
| Mark Dorrian |
Criticism, negation, action |
| Johanna Drucker |
Collaboration without Object(s) in the Early Happenings |
| Peter Eisenman |
Unfolding Events |
| Carl Elliott |
A New Way to be Mad |
| Douglas Engelbart |
Augmenting Human Intellect |
| Okwui Enwezor |
The Artist as Producer in Times of Crisis |
| Charles Esche |
The possibility forum - institutional change and modest proposals |
| Robin Evans |
The Developed Surface [1989] |
| | Figures, Doors and Passages [1978] |
| | Translations from Drawing to Building [1986] |
| | Mies van der Rohe's Paradoxical Symmetries [1990] |
| | Bentham's Panopticon: An Incident in the Social History of Architecture |
| Marc Fischer |
Against Competition |
| Stanley Fischer |
Long-Term Contracts, Rational Expectations, and the Optimal Money Supply Rule |
| Mary Flanagan |
Mobile Identities, Digital Stars, and Post-Cinematic Selves |
| | navigating the narrative in space: gender and spatiality in virtual worlds |
| | Hyperbodies, Hyperknowledge: Women in Games, Women in Cyberpunk, and Strategies of Resistance |
| Vilém Flusser |
Towards a Philosophy of Photography |
| Villem Flusser |
About the Word Design |
| foster |
Antinomies in Art History |
| | "Design and Crime" |
| Bourriaud |
Postproduction |
| | Relational Form |
| | Interview 2001 |
| Hal Foster |
Antinomies in Art History |
| | "Design and Crime" |
| Michel Foucault |
Of Other Spaces |
| | Nietzsche, Genealogy, History |
| | Omnes et Singulatim |
| | The History of Sexuality (excerpt) |
| | Sex, Power, and the Politics of Identity |
| | Friendship as a Way of Life |
| | About the Concept of the "Dangerous Individual" in 19th-Century Legal Psychiatry |
| | Sex, Power, and the Politics of Identity |
| Kenneth Frampton |
The Work of Architecture in the Age of Commodification |
| Sarah Franklin |
Postmodern Procreation: A Cultural Account of Assisted Reproduction |
| Gonzalo Frasca |
Videogames of the Oppressed: Critical Thinking, Education, Tolerance, and Other Trivial Issues |
| Andrea Fraser |
What's Intangible, Transitory, Mediating, Participatory, and Rendered in the Public Sphere? |
| Sigmund Freud |
A Note upon the 'Mystic Writing Pad' |
| Buckminster Fuller |
Introduction to Expanded Cinema |
| Alex Galloway |
Protocol (excerpt) |
| Alexander Galloway |
Language Wants To Be Overlooked: On Software and Ideology |
| | Protocol (article) |
| Eugene Thacker and Alexander R. Galloway |
The Exploit (excerpt) |
| | Protocol, Control, and Networks |
| Marjorie Garber |
Spare Parts: The Surgical Construction of Gender |
| Gilles, Felix Deleuze, Guattari |
1440: The Smooth and the Striated |
| Liam Gillick |
Response to Claire Bishop |
| | Denial and Function: A History of Disengagement in Relation to Teaching |
| | Claiming Contingent Space |
| Malcolm Gladwell |
The Coolhunt |
| David Goldenberg & Lubna Azhar |
Redundancy |
| Alberto Gonzales |
Intellectual Property Act of 2007 |
| Jane Goodall |
Whose Body? Ethics and Experiment in Art |
| Dan Graham |
Sound Is Material |
| Tim Griffin |
In conversation: Daniel Buren & Olafur Eliasson |
| Félix Guattari |
Regimes, Pathways, Subjects |
| Felix Guattari |
Pragmatic/Machinic |
| | The new aesthetic paradigm |
| | On the Production of Subjectivity |
| Hans Haacke |
Symbolic Capital Management or what to do with the Good, the True, and the Beautiful |
| Judith Halberstam |
"Introduction: Posthuman Bodies" |
| | Automating Gender: Postmodern Feminism in the Age of the Intelligent Machine |
| Stuart Hall |
Encoding/decoding |
| Don Handelman |
Preface to Models and Mirrors |
| Mark Hansen |
Introduction to Framing the Digital Image |
| | bodies in code, or how primordial tactility introjects technics into human life |
| | Media Theory |
| Donna Haraway |
A Cyborg Manifesto |
| Antonio Negri and Michael Hardt |
Multitude (excerpt) |
| | Preface: Life in Common (Multitude) |
| | Empire |
| Michael Hardt |
Common Property |
| | Conversation with Michael Hardt |
| | The Folly of Our Masters of the Universe |
| David Harvey |
Megacities Lecture 4 |
| | Fordism |
| | From fordism to flexible accululation |
| | Theorizing the Transition |
| Katherine Hayles |
Retrospective Lecture |
| | Connecting the Quantum Dots: Nanotechscience and Culture |
| | Intermediation: Textuality and the Regime of Computation |
| | Narrating Bits: Encounters between Humans and Intelligent Machines |
| | Print is Flat, Code is Deep: The Importance of Media-Specific Analysis |
| | Translating Media: Why We Should Rethink Textuality |
| | Unfinished Work: From Cyborg to Cognisphere |
| | The Power of Simulation: What Virtual Creatures Can Teach Us |
| K. Michael Hays |
Critical Architecture: Between Culture and Form |
| Charles Heckscher |
Defining the Post-Bureaucratic Type |
| Emma Hedditch |
Stay Away, Don't Stay Away |
| Martin Heidegger |
The Question Concerning Technology |
| Paul Helliwell |
Exodus |
| Carol Helsotsky |
Recipe for the Nation: Reading Italian History Through La Scienza in Cucina and La Cucina Futurista |
| Claudia Herbst |
Shock and Awe: Virtual Females and the Sexing of War |
| | Then and Now: Gender, Code, and Literacy |
| J.C. Herz |
Having a Wonderful Time ... Wish I Were Here |
| | Sim Society |
| | Why Doom Rules |
| John Heskett |
What Is Design |
| David Hickey |
On not being governed |
| Dick Higgins |
Statement on Intermedia |
| Brian Holmes |
Liar's Poker |
| | The Artistic Device, or, the Articulation of Collective Speech |
| | Continental Drift: Activist Research, From Geopolitics to Geopoetics |
| | The Flexible Personality: For a New Cultural Critique |
| Douglas B. Holt |
Distinction in America? Recovering Bourdieu's theory of tastes from its critics |
| | Poststructural Lifestyle Analysis: Conceptualizing the Social Patterning of Consumption in Postmodernity |
| | Why Do Brands Cause Trouble? A Dialectical Theory of Consumer Culture and Branding |
| Michel Houellebecq |
H.P. Lovecraft: Against the World, Against Life |
| Victor Hugo |
This Will Kill That |
| Will Hurst |
Koolhaas, Foster clash over ‘similar’ designs |
| Pierre Huyghe |
Conversation with Doug Aitken |
| Don Ihde |
Bodies, Virtual Bodies and Technology |
| Ivan Illich |
Deschooling Society |
| Luce Irigaray |
Sexual Difference |
| | The "Mechanics" of Fluids |
| Jakob Jakobsen |
Notes on institutions, anti-institutions and self-institutions |
| | There is no alternative: THE FUTURE IS SELF-ORGANISED |
| | A new table, which might not be understood as clean in modern terms |
| Fredric Jameson |
Postmodernism (excerpt) |
| | Theories of the Postmodern |
| Charles Jencks |
Post-Modernism and Discontinuity |
| Leland H. Jenks |
Railroads as an Economic Force in American Development |
| Ameila Jones |
Self/Image (excerpt) |
| | Self/Image (excerpt) |
| Linda S. Kauffman |
Contemporary Art Exhibitionists (from Bad Girls and Sick Boys: Fantasies in Contemporary Art and Culture) |
| Alan Kay |
User Interface: A Personal View |
| Andrew Keen |
The Anti Web 2.0 Manifesto |
| Douglas Kellner |
Ernst Bloch, Utopia and Ideology Critique |
| Mary Kelly |
Psychoanalysis and the Field of Vision |
| Grant Kester |
The world he has lost -Dave Hickey's beauty treatment |
| | Chip Berlet Tracks Computer Networks of the Religious Right |
| | Untitled |
| | Autonomy, Agonism, and Activist Art: An Interview with Grant Kester, by Mick Wilson |
| Sojin Kim |
Curiously Familiar: Art and Curio Stores in Los Angeles' Chinatown |
| Friedrich Kittler |
Protected Mode |
| | The History of Communication Media |
| | There Is No Software |
| Norman Klein |
WHICH WAY OUT? Updating and Downloading Our Crisis |
| Alexander Kluge |
On Film and the Public Sphere |
| Alexander Kluge and Oskar Negt |
The Public Sphere and Experience: Selections |
| | Public Service Television |
| Rem Koolhaas |
JUNKSPACE |
| Rosalind Krauss |
Sculpture in the Expanded Field |
| Janet Kraynak |
Dependent Participation: Bruce Nauman's Environments |
| Julia Kristeva |
Powers of Horror; An Essay on Abjection |
| Miwon Kwon |
One Place After Another: Notes on Site Specificity |
| | One Place After Another (excerpt) |
| Jacques Lacan |
The Mirror Stage |
| Chantal Mouffe and Ernesto Laclau |
Beyond the Positivity of the Social: Antagonisms and Hegemony |
| | Hegemony and Radical Democracy |
| Ernesto Laclau |
Why do Empty Signifiers Matter to Politics? |
| | Community and Its Paradoxes: Richard Rorty's 'Liberal Utopias' |
| | Deconstruction, Pragmatism, Hegemony |
| Martti Lahti |
As We Become Machines: Corporealized Pressures in Video Games |
| Christopher Langton |
Artificial Life |
| Paul Lansky |
The Importance of Being Digital |
| Niklaus Largier |
In Praise of the Whip (Excerpt - Introduction) |
| | In Praise of the Whip (Excerpt - Epilogue) |
| | In Praise of the Whip (Excerpt - Chapter 8) |
| Bruno Latour |
Why Has Critique Run Out of Steam? |
| | Why Has Critique Run out of Steam? |
| Bulent Diken and Carsten B. Laustsen |
Culture of Exception: Sociology Facing the Camp (excerpt) |
| Leonard Lawlor |
The End Of Phenomenology |
| Gustave Le Bon |
The Psychology of Revolution |
| | The Crowd |
| Gerald Stanley Lee |
Crowds: A Moving-Picture of Democracy |
| Sha Xin Wei and Tim Lenoir |
Authorship and Surgery: The Shifting Ontology of the Virtual Surgeon |
| Tim Lenoir |
All but War Is Simulation: The Military-Entertainment Complex |
| | Programming Theaters of War: Gamemakers As Soldiers |
| Thomas Levin |
Before the Beep |
| Diane Kinishi and G. Robert Lewis |
The Learning Exchange |
| Alphonso Lingis |
We Mortals |
| Lucy Lippard |
Preface/ Postface to Six Years |
| Geert Lovink |
The ABC of Tactical Media |
| Rafael Lozano-Hemmer |
Alien Relationships From Public Space |
| Edward N Luttwak |
Give War a Chance |
| Greg Lynn |
Multiplicitous and inorganic bodies |
| Jean-François Lyotard |
Answering the Question: What is Postmodernism? |
| Charles Mackay |
Memoirs of Extraordinary Popular Delusions and the Madness of Crowds |
| Adrian Mackenzie |
The Performativity of Code: Software and Cultures of Circulation |
| | The Performativity of Code |
| Ernest Mandel |
An Introducion to Marxist Economic Theory |
| N. Gregory Mankiw |
Disagreement about Inflation Expectations |
| | Pervasive Stickiness (Expanded Version) |
| | Sticky Information: A Model of Monetary Nonneutrality and Structural Slumps |
| | Government Debt (Chapter 25 from Handbook of Economics) |
| Lev Manovich |
5 principles of new media (excerpt) |
| Herbert Marcuse |
Art as a Form of Reality |
| Laura U. Marks |
Video's Body, Analog and Digital |
| Anne Marsh |
Bad Futures: Performing the Obsolete Body |
| Reinhold Martin |
Architecture's Image Problem: Have We Ever Been Postmodern? |
| | Architecture at War: A Report from Downtown |
| | Toward a Utopian Realism |
| Brian Massumi |
Stelarc: The Evolutionary Alchemy of Reason |
| | Parables For The Virtual (excerpt - The Bleed) |
| Achille Mbembe |
Necropolitics |
| Jane McFadden |
Toward Site |
| Marshall McLuhan |
Games |
| | "The Medium is the Message" |
| Clark McPhail |
Collective Locomotion as Collective Behavior |
| | Prologue to The Myth of the Maddening Crowd |
| Maurice Merleau-Ponty |
The Intertwining-The Chiasm |
| | The Intertwining, The Chiasm |
| Colin Milburn |
Nanotechnology in the Age of Posthuman Engineering: Science Fiction as Science |
| | Nano/Splatter: Disintegrating the Postbiological Body |
| Mark Crispin Miller |
2001: A Cold Descent |
| David Moos |
Memories of Being: Orlan's Theater of the Self |
| Kathryn Pauly Morgan |
Women and the Knife: Cosmetic Surgery and the Colonization of Women's Bodies |
| Chantal Mouffe |
Politics and Passions |
| | Toward an Agonistic Public Sphere |
| | For An Agonistic Model of Democracy |
| | On The Political (excerpt - Ch 1 & 2) |
| Benito Mussolini |
What is Fascism? |
| n/a n/a |
THE SHAKERS |
| Jean-Luc Nancy |
The Technique of the Present |
| Eduardo Navas |
The Latency of the Moving Image in New Media |
| Jeffrey Nealon |
Empire of the Intensities |
| Antonio Negri |
N for Negri |
| | Empire |
| Antonio Negri and Paolo Virno |
Public Sphere, labour, multitude |
| Nicholas Negroponte |
Toward a Theory of Architecture Machines |
| Donald Nicholson-Smith |
Why Art Can't Kill the Situationist International |
| Martha C. Nussbaum |
Professor of Parody: The hip defeatism of Judith Butler |
| David Owen |
The Anti-Gravity Men |
| Victor Papanek |
What Is Design |
| Jussi Parikka |
Digital Contagions (excerpt) |
| Gordon Pask |
Heinz von Foerster's Self-Organization, the Progenitor of Conversation and Interaction Theories |
| Ken Perlin |
Can There Be a Form between a Game and a Story? |
| Rosalind Pollack Petschesky |
The Body as Property: A Feminist Re-vision |
| Joseph Pine |
Welcome to the Experience Economy |
| Daniel Pink |
The MFA Is The New MBA |
| Sadie Plant |
Zeros and Ones (excerpt) |
| Christine Poggi |
Futurism and the Crowd |
| Robin Pogrebin |
I'm the Designer. My Client's the Autocrat. |
| Cindy Poremba |
Against Embedded Agency: Subversion and Emergence in GTA3 |
| Office of Presidential Advance |
Presidential Advance Manual |
| Seth Price |
Dispersion |
| for the New American Century Project (The) |
Rebuilding America's Defenses |
| John Protevi |
Coursework Materials on Deleuze and Guattari |
| Jasbir Puar |
Terrorist Assemblages (excerpt) |
| Thomas Pynchon |
Is it OK to be a Luddite? |
| | A Journey into the Mind of Watts |
| | Nearer, My Couch, To Thee |
| Paul Rabinow |
Artificiality and Enlightenment: From Sociobiology to Biosociality |
| Jacques Rancière |
Who is the Subject of the Rights of Man? |
| | The Emancipated Spectator |
| | On Art and Work |
| | Glossary of Technical Terms |
| | The Aesthetic Revolution |
| | The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation |
| | The Politics of Aesthetics / The Aesthetics of Politics |
| | Aesthetics and Politics: Rethinking the Link |
| | The Rationality of Disagreement |
| Jason Read |
The Antagonistic Ground of Constitutive Power |
| Lane Relyea |
Your Art World, Or, the Limits of Connectivity |
| Stephen Resnick |
Dialectics and Class in Marxian Economics |
| David Rokeby |
The Construction of Experience |
| Richard Rorty |
Response to Ernesto Laclau |
| Barbara Rose |
Is It Art? Orlan and the Transgressive Act |
| Joyce Rothschild |
Creating a Just and Democratic Workplace: More Engagement, Less Hierarchy |
| Joyce Rothschild-Whitt |
The Collectivist Organization: An Alternative to Rational-Bureaucratic Models |
| Brian Rotman |
Corporeal or Gesturo-haptic Writing |
| Joan Roughgarden |
Evolution's Rainbow: Diversity, Gender, and Sexuality in Nature and People |
| Luigi Russolo |
The Art of Noise |
| Leopold Von Sacher-Masoch |
Venus In Furs (part 1) |
| | Venus In Furs (part 2) |
| | Venus In Furs (part 3) |
| Warren Sack |
Aesthetics of Information Visualization |
| William Safire |
The Best Defense |
| Edward Said |
Thoughts About America |
| Murray Sayle |
The attacks on America are a dire climax in the history of made-for-television terrorism. |
| Wolfgang Schivelbusch |
Railroad Space and Railroad Time |
| Florian Schneider |
Collaboration - 7 Notes on New Ways of Learning and Working Together |
| Will Self |
Scale |
| Gordon H. Sellon Jr. |
Monetary Policy Without Reserve Requirements: Case Studies and Options for the United States |
| Michel Serres |
Theory of the Quasi-Object |
| Benedict Seymour |
DO THE RIGHT THING! THE ANTI-GLOBALISATION MOVEMENT AFTER S11 |
| Steven Shaviro |
Conclusion to The Cinematic Body |
| Richard Shusterman |
The End of Aesthetic Experience |
| | Self-Knowledge and Its Discontents |
| Georg Simmel |
The Metropolis and Modern Life |
| Bart Simon |
Introduction: Toward a Critique of Posthuman Futures |
| Eivind Slettemeas |
Introduction to Art-as-Research |
| Daniel W. Smith |
Deleuze on Bacon: Three Conceptual Trajectories in The Logic of Sensation |
| Sam Smith |
Rabble-rousing |
| Robert Smithson |
Entropy Made Visible |
| | Entropy And The New Monuments |
| | A Provisional Theory of Non-Sites |
| Vivian Sobchack |
The Scene of the Screen: Envisioning Photographic, Cinematic, and Electronic "Presence" |
| Zoë Sofia |
Virtual Corporealilty: A Feminist View |
| Robert M. Solow |
A contribution to the theory of economic growth |
| Robert (R.E.) Somol |
All Systems GO!: The Terminal Nature of Contemporary Urbanism |
| Robert Somol (and Sarah Whiting) |
Notes around the Doppler Effect and other Moods of Modernism |
| Susan Sontag |
Notes on "Camp" [1964] |
| Michael Speaks |
Design Intelligence and the New Economy |
| Constance A. Steinkuehler |
The New Third Place: Massively Multiplayer Online Gaming in American Youth Culture |
| Kathleen Stewart |
Nostalgia: A Polemic |
| Joseph Stiglitz |
Dealing with Debt: How to Reform the Global Financial System |
| | A Modest Proposal for International Monetary Reform |
| Kristine Stiles |
Never Enough Is Something Else: Feminist Performance Art, Avant-Gardes, and Probity |
| Allucquère Rosanne Stone |
Will the Real Body Please Stand Up? |
| Sandy Stone |
THE "EMPIRE" STRIKES BACK: A POSTTRANSSEXUAL MANIFESTO |
| Manfredo Tafuri |
The Historical Project |
| | Operative Criticism |
| Michael Taussig |
Physiognomic Aspects of Visual Worlds |
| John B. Taylor |
Staggered Wage Setting in a Macro Model |
| | Aggregate Dynamic andStaggered Contracts |
| Laurie N. Taylor |
From Stompin' Mushrooms to Bustin' Heads: Grand Theft Auto III as Paradigm Shift |
| Georges Teyssot |
Heterotopias and the History of Spaces |
| Eugene Thacker |
Wet Data: Biochips and BioMEMS |
| | What Is Biomedia? |
| | Data Made Flesh: Biotechnology and the Discourse of the Posthuman |
| Guy Theraulaz |
The formation of spatial patterns in social insects: from simple behaviours to complex structures |
| Nato Thompson |
Contributions to a Resistant Visual Culture Glossary |
| Trimble Co |
Lassen IQ GPS module manual |
| Leon Trotsky |
The Social Roots and the Social Function of Literature |
| Bernard Tschumi |
Sequences |
| A.M. Turing |
COMPUTING MACHINERY AND INTELLIGENCE |
| Sherry Turkle |
Video Games and Holding Power |
| The United States Department of Justice |
In the Matter of Broadband Industry Practices |
| Henry Urbach |
Writing Architectural Heterotopias |
| José van Dijck |
Bodies without borders: The endoscopic gaze |
| Roemer Van Toorn |
Fresh Conservatism - Landscapes of Normality |
| Francisco J. Varela |
The Reenchantment of the Concrete |
| Gianni Vattimo |
From Utopia to Heterotopia |
| Dziga Vertov |
The Birth of Kino-Eye |
| | Kino-Eye |
| | We: Variant of a Manifesto |
| Jan Verwoert |
Lessons in Modesty - The Open Academy: A Model |
| Anthony Vidler |
Histories of the Immediate Present: Inventing Architectural Modernism |
| Anton Vidokle |
Exhibition as School in a Divided City |
| Paul Virilio |
The Vision Machine |
| Paolo Virno |
One and Many |
| | Ten Theses on the Multitude and Post-Fordist Capitalism |
| Richard Wagner |
The Art-Work of the Future |
| Catherine Waldby |
Posthuman Spectacle |
| | Virtual Anatomy: From the Body in the Text to the Body on the Screen |
| David Foster Wallace |
E Unibus Pluram: Television and U.S. Fiction |
| Immanuel Wallerstein |
The Eagle Has Crash Landed |
| | New Revolts Against the System |
| Adrian Ward & Geoff Cox |
The Authorship of Generative Art |
| McKenzie Wark |
Excerpt from A Hacker Manifesto |
| Grant Watson |
Response to Claire Bishop's paper on Relational Aesthetics |
| Samuel Weber |
Target of Opportunity: Networks, Netwars, and Narrative |
| John Welchman |
On the Discourse of Abstraction |
| David E. Wellbery |
Post-Hermeneutic Criticism: Foreword to Discourse Networks |
| Bernadette Wgenstein |
The Medium is Body |
| Ed White |
The Value of Conspiracy Theory |
| Mitchell Whitelaw |
Art Against Information: Case Studies in Data Practice |
| Mark Wigley |
Recycling Recycling |
| | Lost in Space |
| | Whatever Happened to Total Design? |
| | Network Fever |
| Fabian Winkler |
Dielectric |
| Nicholas Gane and Geoffrey Winthrop-Young |
Friedrich Kittler: An Introduction |
| Jay Wiseman |
SM101 (excerpt) |
| | SM101 (excerpt) |
| Peter Wollen |
Situationists and Architecture |
| Various Writers |
Physics of the Rhythmic Applause |
| | Hatred of Capitalism - A Reader |
| Gene Youngblood |
Expanded Cinema |
| Rainer Zimmermann |
The Philosophy of Ernst Bloch |
| Slavoj Zizek |
Cynicism as a Form of Ideology |
| | The Ongoing Soft Revolution |
| | Human Rights and Its Discontents |
| | History Against Historicism |
| | The Iraqi MacGuffin |
| | What Is To be Done (with Lenin)? |
| | The Prospects of Radical Politics Today |
| | The Two Totalitarianisms |
| | Cyberspace, Or, The Unbearable Closure of Being |
| | Censorship Today: Violence, or Ecology as a New Opium for the Masses |
| Janet Zweig |
Ars Combinatoria |
